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Born in Bloomfield Ct, December 2nd 1983, Jordan was
always interested in watching his father play drums. He Started actually
learning to get an actual beat down around the age of 4 or 5. His brother
Jason also started to play guitar at an early age, both interested in the same
style of music (rock/metal). Together they formed a group. Jordan (12) Jason
(16) started actually writing songs together. As Jordan grew older, he
branched out into different styles of music. Still in the genre of metal/rock,
he moved to Florida of 2000 after graduation of high school, his brother lent
him his keyboard and thats when his ear for hip hop really started to become
strong. www.JenniferNicoleLee.com , he wants to tackle all
sides of the music industry. Discography
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Where are you from? How did you end up in Orlando? Basically
my brother and my sister moved to Orlando and I followed them after I
graduated high school in December of 2000 So was your older brother pretty much your musical influence? To
a certain extent, actually it was my father who started me on the drums when I
was 4. My brother and I always had created music together. This was just an added
bonus that he threw me his equipment to mess with. He started a studio called
Audio Hammer; it’s more Rock/Metal then any other style. My Brother and I
were in a metal group from the time I was 12 until I was about 17. We toured and
everything, the whole 9. It just so happened that when he gave me his
equipment, I started doing tracks right away. I sold 40 beats for
$1000 , and they were sooo garbage, but after that point I told myself, not
only can I make good money, but good music at the same time. How did you meet Atlantic Records A&R Damon Eden? That’s
funny right there. What happened
was, there was this thing online called armusic1.com and you pay like 60 or 70 bucks and basically you get some type of
hook up with an A&R from a record label.
At the time Damon was working for Bad Boy and I paid 70 bucks to speak
to someone from Bad Boy with like 20 other people on the phone.
It’s a big phone conference. At
the end of the call they go through this whole situation on what the industry
is like. At the end, you get to
play them two or three tracks of yours. The
dude (Damon) heard my tracks and he went crazy.
As soon as the conversation was done, we had exchanged numbers and from
that point on, we’ve just been real good friends. He has been a big help
since day one.. Are you signed to Atlantic as a producer? I’m
not signed to anybody. You can
say I’m like a free agent. I
just happen to do a lot of things over at Atlantic,. My manager is actually Folayan
Knight, she is the one that got
me on the Mary J Blige album. So your manager hooked you up with Mary J Blige to do the track
"Take Me As I Am"? Yea,
Folayan hooked me up with that one. I’ve
known her for a couple of years now. One day out of the blue she just hit me up and said “ I
need a session right now, Mary J wants this record right now”. I had a
damn courier service come to my house on Sunday, and they flew the track to
her that same day, (laugh).
That
was in November of 2005. Ever
since then its been kind of crazy. "Take Me As I Am" was a crazy track on Mary's album. Being placed on an album such as Mary's, does it make you want to work harder to make even better tracks? Yea
of course, especially being that it’s her 3rd single. Her album
is at around 2.5 million sold A
track like that, was a pretty powerful. It
touched a lot of people. Not only did it bring you back to Jay-z’s Dead
presidents because of the sample I used, but it had this feeling to it like we
were connected to it, you know? , It was a huge song for women. I had a lot of
women come up to me and thank me for such a beautiful song and how it helped
them out through hard times. Its deep you know? But , your only as good as your last track, so I’m just
working harder and harder to make that next joint. What's
your relationship with new comer producers The Runners? Those
are really good friends of mine. I’ve
know Dru and Mayne for a few years. I’m
very proud of them. Its about
time they got their recognition, especially someone from the same city as
myself. its incredible to see someone go from working in their studio to
become the next big producers. Are you planning on collaborating with The Runners on anything? Not
now at least. We stay friends and
friends are friends and business is business.
We did things together before shit popped off for both of us, but it
was just for fun. But you never
know, possibilities are endless. Other big name producers combine musical
talents with each other all the time, so its not out of the question. What's your ultimate goal as a producer? I’m
just trying to be that next go to guy. Every
artist in the industry has that person that they want to go to for that next
hot single/sound, whether its Dr. Dre, Scott Storch, Timbaland.
I want to be that producer where that artists needs that Hot Infinity
sound. Ultimately I don’t want
to be just that “producer”. I want to be a brand, and that’s how you
stay in this industry. I'm building it, just wait and see Are you the type of producer where you want to be in the videos? Really, it’s the labels choice right now.
Since I’m new I really don’t have the leeway to say that I want to
be in the video but I wouldn’t mind being on the set.
I would like to be in tuned to what is going on with the situation.
But for a club type song, I’d love to be in the video but not really
a slow jam. What
can we
expect from you? I
worked on a new artist at Atlantic Records. Her name is Bayje, she is 17
and raw. I did her first Single called “Jealous Of Your Whip”. The joint is
fire, and I did another joint on her album called “Give Up” which is a
crazy rock record. If any of yall picked up Lupe Fiasco's album, I did the drum
programming for “Daydream” and I also did a track on another artist named
Lil Peedy, who is also on Atlantic records. I did a hot a little joint for
Treal out of Orlando, Called “You so Right” which is a definite club banger! |
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